Looking back on 2020

I doubt there’ll be many people lamenting the passing of 2020 but, despite the awfulness of the Covid-19 pandemic, I do want to reflect on the many good things that happened to me in the year, as well as the many things I learnt as a consequence of such an intense and challenging year.

 

Writing-wise, I was very proud of the fact that I had 8 short stories, as well as 4 poems, published. I was paid for half of those 12 publications, which was hugely welcome. Also, there’s nothing quite like being paid for one’s writing to make a writer feel as though they are finally, eventually, on the right track after years of wandering around a near-desolate moor…

 

Miss Mitsie approves of my story in this anthology.

 

I also managed to get a first draft of my novel finished. I’m now on (what will hopefully be) the final edit and I’m aching to get the editing finished so that I can then submit the book. Most importantly, my favourite eagle-eyed critic/beta reader (my husband) likes it, so I’m chuffed to bits about that!

 

Another wonderful thing that happened was that I had a few editors contact me with writing commissions. It’s such a wonderful feeling to have someone approach you and ask you to be involved in their project. The only downside to that scenario is that it does provide the inner critic with a chance to have a good worry about whether or not you’re actually capable of delivering the (writing) goods… So, I have decided to put the inner critic on mute.

 

Lastly, the final month of December saw me signing off on the proof of my debut poetry pamphlet, Russian Doll. It was a scary (but thrilling) moment to hit ‘send’ on the email to my editor, Dawn, at Indigo Dreams Publishing, but I’m very much looking forward to my collection being out in the world.

 

 

There’s no doubt that, family-wise, the pandemic and subsequent lockdowns, government restrictions, and lack of daily structure that school would usually bring, created stress for us all (the stress manifesting itself in various ways – for my son and I, it brought OCD problems). I also really missed seeing my mum who lives about 3 hours’ drive away from us. Yet, looking past the anxiety, and the ache of missing loved ones, it made me very aware of just how grateful I am for our (mostly) harmonious family unit. I think we all said ‘thank you’ and ‘I love you’ more than we usually would. And all mawkishness aside, that’s a very heart-warming and wholly positive thing to have happened.

 

 

Exercise (in whatever form), being out amidst trees and plants, reading, and creating art (linoprinting has been my thing this year), as well as catching up with good friends via Zoom (you know who you are!), have been my physical and mental health saviours. I know that some of my friends have found reading or writing a challenge, so I feel very grateful to have been able to rely on these things to ground me in what has been an extraordinarily ‘up in the air’ year. (I’m aiming to put together a favourite books post soon.) Recently, when I’ve been trying to counter OCD-like thoughts, I’ve been holding on to this incredibly useful mantra, by Jon Kabat-Zinn:

[mindfulness is] …paying attention, on purpose, in the present moment, nonjudgmentally […] as if your life depended on it.

As I’ve written before, in stressful times “I feel as though I am only ever one thought away from the abyss. And that is truly frightening.” And so this idea of focussing on the present, really considering everything around me – the mug that I’m holding, the shape of my fingers, the taste of coffee in my mouth – as if my life depended on it, as if the abyss was truly only one thought, or step away, has been really helpful to me. I suppose that’s why I find writing so appealing – it allows me to fill my mind with stories, giving me a brief period of time to set aside the worries of my overly busy and whirring brain.

 

Spiritually, I have missed my semi-regular church visits, but communing with God can happen in any numbers of ways, and our local wood has made for a wonderful, makeshift cathedral in which to consider and reflect on the glory of the natural world that has been gifted to us all.

 

I know that many of us are looking to 2021 to be a good year, a year in which the pandemic finally comes to an end and life returns to normal once. Of course I’m hoping for that… but it’s also a lot to pin on a year which is, after all, just another period of time in which our blue-green planet cycles the sun. Me, I’m simply planning to keep on keeping on as best I can.

 

Wishing you all love, good health and a big dose of fortitude.

FantasyCon, kindness, and some writing revelations

Sometimes I wonder what the SFF book world must look like to those outside it. To those not enamoured with dragons, fairies, spaceships or extraterrestrials, it probably looks rather strange. Geeky? Most likely. And given the number of altercations in recent years with regards to voting for awards, award renamings and the like, I can’t help but think that it must look as though it is a highly polarized community; a giant amoeba constantly stretching itself thin, its two extended arms always at battle with each other. Maybe the only time it comes together en masse, to regroup, is when a well-known literary author publicly denigrates the genre.

 

11 2019 Chlamydomonas - art by Teika Marija Smits

A genus of algae – not an amoeba, obvs – but still, a unicellular organism.

 

This picture, at any particular moment, could actually be spot on. Yet, also, it’s just a snapshot. It can’t convey the huge depth of this bookish world; the opinions and feelings of all the writers, publishers, editors, readers and fans that make up the community, particularly when some of them prefer not to be hugely vocal through social media.

For me, the last FantasyCon I attended was striking in its cordiality and cohesion. (Though, to be fair, all the FantasyCons I’ve been to so far have been like this.) True, I only know a smattering of people and I spend a lot of my time in the dealers’ room behind my stall, but I see a lot of kindness. Dealers – potential competitors, remember! – helping each other lug boxes of books in and out of the room; buying coffees for each other; keeping an eye on each other’s stalls when you need to rush off to a panel, or the loo; inviting each other for dinner; sharing spreadsheet woes as well as bookish successes. So, particular mentions go to Francesca and Rob of Luna Press Publishing, Noel Chidwick of Shoreline of Infinity, and the Elsewhen Press and PS Publishing team for their bigheartedness.

 

10 2019 Teika behind table at FantasyCon 2019

 

Then there are those that you get chatting to about a book or short story that you both happen to love and that’s it – you realize you’ve met a kindred spirit. When I happened to mention to Neil Snowdon of the Electric Dreamhouse that I was a fan of Angela Slatter’s stories and Rosie Garland’s magical historical fiction, we got chatting… and chatting. I had a feeling that this enthusiastic conversation could go on for a long time, and over many cons! (I have already thought of more books and films I want to talk to Neil about…)

Then there were the kind writers, readers and friends who helped me launch The Forgotten and the Fantastical 5, and who, later, listened to me read some of my own short pieces (I was sure no one would come, so to see some friendly faces was marvellous!). Thank you also to my fellow reader, Justin Lee Anderson, who read brilliantly and was super encouraging.

There was also music and dance. When I caught the strains of an Eurythmics song coming from the disco I had an urge to leap up and dance. My outer “sensible adult” told me to sit quietly and refrain from any strange jiggling around, but then that kid I used to be – the one who would spin and stomp on the dance floor because of the sheer joy of the music – encouraged me on. Well, that, and Georgina Bruce (a superb writer of the gorgeously creepy) who was already there and enticing me onto the dance floor with come-hither hand gestures. Thank you to Georgina for giving me a chance to let go and enjoy the music! The dance floor is a democratic place. A great leveller.

Lastly, there were the two writers who dropped nuggets of gold at my feet when I was chatting with them. I told Robert Shearman of my desire to write a choose-your-own-adventure type story. Given the fact that he had done just that – and in a rather spectacularly epic and original fashion, taking a decade to complete the project – he didn’t laugh me off the premises. He simply said, ‘Go for it!’ And his encouragement made me smile and I felt that maybe, just maybe, I would go for it. Later, by the bar, I got chatting to editor-extraordinaire Dan Coxon (who is much taller than I expected him to be – because when you get to know people via social media first in my mind they are all my height i.e. short). Anyway… he mentioned a writer-friend who wrote slowly – adding 300 or so words a day to the novel – while also editing. Now, this is my style of writing. I edit as I go. I’m slow. I’m the exact opposite of the writer who gets that first draft down as quickly as possible and then edits later. I’m a tortoise. And that’s okay. It is good to know there are others like me.

There’s nothing original in the idea that kindness is radical; that listening to others who have different opinions on various issues (yes, even political issues) is of value; that we can reflect and learn from everyone’s experiences… but I do think it’s a message worth repeating, particularly when it’s so easy to log into social media and get deafened by the sheer volume of outrage and unkindness. When, on the last day of FantasyCon, my fellow folklore and fairy tale panellist, Ali Nouraei, spoke of the ‘oneness of humanity’ and of the universality and inherent wisdom of the stories humankind has shared – and keeps on sharing – I felt it a fitting conclusion.

So… thank you to the kind people at FantasyCon who made my weekend so full of warmth. You are radical.

*

 

p.s. on reflection (and several re-reads) I thought that if you swapped ‘SFF bookworld’ for ‘UK politics’ or ‘global politics’ there wouldn’t be much of a difference. An alien visiting Earth and seeing us busy cranking the heat up on the planet while arguing over, say, Black Friday deals, would think us decidedly odd.

What I did at 40

Recently on social media, people were spreading a little positivity by sharing some of the things they’ve done in their 40s of which they’re proud. I didn’t take part at the time although I wanted to because a) I’m too slow on the uptake and b) the contrarian in me doesn’t like to rush along doing whatever everyone else is doing at that particular moment. But on reflection I thought it a lovely – and inspiring – thing to do (my writer-publisher friend Tracey Scott-Townsend has published a fascinating series of ‘What I did at 50’ posts on her blog and she’s had a brilliant response to that).

Anyway, as I was contemplating the necessity of updating my writing publications page on this blog I realized that there were several things I’d done since I turned 40 of which I was proud. And what struck me about them was that about two decades ago I wouldn’t have imagined myself doing or achieving any of those things.

Although I’d always envisaged marriage and children being a part of my life I never really had a clear vision of what I’d be doing in my 40s (back then 40 seemed like a lifetime away and well, just a bit decrepit, yeah?!). I thought that going down the science path would be the best thing to do because of my keen interest in the subject, and I have (in general) always thought science to be a powerful tool that could be wielded for good, in terms of society and the environment. Also, jobs in science seemed plentiful.

But, at 28 I discovered that the career part of the science career wasn’t really for me. However, I made a new discovery – that I had an aptitude for teaching (others as well as myself) and I had a desire to write (I’d always been writing poetry on and off, but I began my first novel at age 28). So I taught science instead. Then marriage and children followed soon after, and a much greater appreciation for what it takes to be a mum, raise children and run a household. I stopped teaching before my eldest daughter was born. But throughout those tumultuous early months – and years – I kept writing in snatched moments. The end result of that newfound appreciation of breastfeeding, mothering, and writing was my small press Mother’s Milk Books. So that, I suppose, has to be the first of the things I’d never expected myself to do.

 

Running an indie press

This September Mother’s Milk Books will be eight years old. I still feel as much enthusiasm about producing new books and publishing authors now as I did at the start of the journey (though I must admit the admin side of things seems to have exponentially increased – and admin really isn’t my favourite!). The extra bonus of running the press is that I’ve learnt so much about writing and the publishing industry – and how to get a foot in the door – that I now teach others on this subject (through workshops etc.). I’ve mentored and supported a number of up-and-coming writers and poets and I love seeing them grow and improve in their writing.

Teika at Waterstones

At a recent ‘How to Get Published’ workshop I ran for Writing East MIdlands.

 

Blogging with my husband about all things publishing/writing

I always thought that working with my husband would be fantastic, but it hasn’t been until recently that we’ve put two of our interests together – my interest in making the workings of the publishing world more transparent and his interest in the neuroscience and psychology of motivation, procrastination and productivity – and created a website called The Book Stewards. So if you’re a writer who’d appreciate some insider information – into the publishing world, and the workings of their brain, do check it out!

 

Getting up early to write

Goodness me, I never thought I’d be the kind of person who’d harp on about the wonders of getting up early and writing, but this year I finally got round to sticking to a new work schedule which involved getting up at around 6.30 a.m. and writing for about 45 minutes before getting breakfast ready for everyone. I CANNOT say that I jump out of bed eagerly, going Wahoo! but, still, I do drag myself out of bed and, bleary-eyed, get some words down on the page. The toughest thing about it is probably having to drag myself away from the laptop to make breakfast when I’m in writing ‘flow’. The two nicest things about this is: 1) how comfortably silent the house is and 2) the cat joining me and curling up beside me.

 

Weightlifting

When my husband first got into weightlifting a few years ago I wasn’t impressed by the sheer volume a set of weights and dumbbells takes up, but then I learnt about the whole HIIT (high intensity and interval training) from Joe Wicks, of which weights is a part, and it appealed to me because 1) as a way to lose weight and tone up, scientifically speaking it makes sense and 2) I’ve always had the build of a somewhat – ahem – cushioned, Amazon warrior so why not play to that? Also, being able to lift something that looks ridiculously heavy is weirdly pleasing.

 

Jogging

There was a period in my mid-twenties when jogging was one of my weekly exercises, but, sadly, a dodgy knee brought that to an end (most likely due to my hypermobility). I genuinely thought I’d never run again. At the start of this year a neighbour-friend of mine was doing the Couch-to-5K programme and asked if I wanted to take part. My first reaction was that of horror. I couldn’t run! My dodgy knee! My wobbly belly! My complete lack of running finesse! Anyway, to cut a long story short, six months on I’m still running for 30 minutes twice a week and it’s simply become a thing I do. I still worry about the dodgy knee (from time to time it gives me warning twinges), and every time I set off I think that what I’m about to do is utter madness, but somehow I get through the madness and the twinges and get to the end of the 30 minute jog, very proud of myself.

Teika after jogging

Marbled leggings and a 25-year-old Cure t-shirt is THE thing to be wearing while jogging.

 

 

Having a story in the Best of British Science Fiction 2018

Although I have a background in science I’m relatively new to writing science fiction (about three or four years). To tell the truth, I feel as though I’m somewhat an imposter in this field because I didn’t spend my childhood reading all the scifi classics and Golden Era novels (though I did watch a lot of science fiction on the screen – Doctor Who, Star Trek, Star Wars, Bladerunner and Inner Space immediately spring to mind etc.).

 

 

But I guess all that TV/movie watching paid off because I’ve now had several short stories published by scifi magazines and even managed to have one of those stories picked up for the Best of British Science Fiction 2018, (now available for pre-order), which delights me no end. In the meantime I’m catching up with my scifi reading and loving it! Of course I’m continuing to get a frequent number of rejections, but my son’s words of encouragement mean everything to me and keep me going during the nth rejection of the month.

 

‘The Future of Science Fiction’ – a story by my son in which I have the starring role!

 

Making art

Technically, I began my attempt to make art a few years before hitting 40, but I feel much more like I’m hitting my stride when it comes to art now. (Although I’m not entirely sure that what I am creating could actually be classified as art – Grayson Perry’s book about what art is or isn’t, Playing to the Gallery, definitely made me reconsider my own work.) BUT I am having immense fun drawing, painting, doodling, papercutting, art glass making and inking, and it’s my go-to activity if I need to slow down and get my head straight. And really, art or not art, it’s the joy of the process that matters.

 

 

Actually, that can be applied to all the above. They’re not about the destination, but the journey.

Reflecting on 2018 and a Giveaway!

Reflection is always valuable, but the end of the year provides the perfect excuse to pause and reflect on one’s achievements and mess-ups with a view to planning for the year ahead. My husband calls it ‘scheming and dreaming’ and it’s one of my favourite things to do.

First, though, a look back on 2018. It’s been a good year for me writing-wise. Although the first half of the year didn’t yield many publishing credits the pieces that were accepted I was incredibly proud of, and it felt great to be part of the publications: Bonnie’s Crew – a fundraising poetry anthology edited by the amazing Kate Garrett – and Café Stories: The Dinesh Allirajah Prize for Short Fiction 2018. Dinesh sounds to have been an incredible man and I’m ever so grateful to Comma Press for introducing me to his writing.

In the last half of the year I also achieved some ‘firsts’: having a poem being published in Prole (which I’ve tried to get into a fair few times) as well as receiving my first pro payment for a speculative fiction story (‘The Green Man’ in Reckoning). Two other firsts were writing some science fiction poetry and seeing it published in Multiverse, as well as having my short story ‘ATU334 the Wise’ be featured in a podcast created by Shoreline of Infinity. There’s something very special about hearing a great narrator read your story (and knowing that other people are actually listening to it!). An article about small press publishing in Mslexia was another wonderful first. Publication in Atrium, I Am Not A Silent Poet and Zoomorphic (with a strange short fiction piece about jellyfish which I thought no one would ever publish) were also highlights.

 

Created during Inktober 2018

 

Having my essay ‘The Darkness Within, The Darkness Without’ win the short non-fiction category in the 2018 Nottingham Writers’ Studio Awards was pretty special too, and it made me brave enough to think that just maybe I could write more non-fiction about fairy tales. So off I went to offer an essay on one of my favourite fairy tales – ‘Bluebeard’ – to Luna Press Publishing for their Evolution of Evil in Fantasy and Science Fiction collection. I have to admit that I found the 3000+ word essay a real challenge as I haven’t written in an academic style for a LONG time. And in the course of writing the essay I wrote a ‘Bluebeard’-inspired short story (about 3000 words long) which I had super fun writing. The story took me a couple of hours over the course of a couple of days to write. The essay took me an hour or two every day for almost 6 weeks. A reminder to myself: fiction is easier to write than academic prose!

Amidst all this short story writing and academic writing (as well as all the work I do for my press) was the creation of a novella and the start of a non-fiction book. Now, the novella is finished but my editor-extraordinaire husband says it needs rewriting (he’s right, it does) and that perhaps I could explore some of the themes in more detail (I can, and I want to). But it does rather mean that the novella would then turn into a novel, which is something that I can’t commit to right now. The non-fiction book is interesting too…. Because at the last moment I decided to enter it into a prize thingy. Then it turned out to have been shortlisted (with some agent interest in it). I found out about it one Friday evening in the middle of cooking burgers for our dinner. I almost burnt the burgers whilst busy doing an impression of Galadriel from Lord of the Rings when offered the one ring by Frodo.

 

 

Me: (Addressing the astonished cat.) “You offer me your interest freely. I do not deny that my heart has greatly desired this. (Arms slowly being raised while my hair floats about my face majestically.) In place of a dark lord/career author you would have a queen of prose! Not dark but beautiful and terrible as the dawn, treacherous as the sea. Stronger than the foundations of the Earth. All shall love my books and despair!”

The cat fled, terrified, and thankfully I passed the test, calmed down a bit and rescued the burgers from setting on fire. Phew! The upshot of all this craziness is that the agent is still interested in the book but she needs to see a lot more of it. So, in 2019 I really need to get my non-fiction hat back on and to get typing! (Though the first thing I’ll have to do in January is my tax return. Damn it…!)

Lastly, taking part in #100DaysofWriting was a big help – I don’t think I would’ve written quite as much if it wasn’t for the incentive to write something every day, hence ensuring that each writing project trundled that bit further along to completion.

What are your plans for 2019? I’d love to hear about them. And if you leave a comment below I’ll enter you in my (somewhat belated) 6 year blogging anniversary giveaway in which I’m giving away these 3 goodies. 🙂

 

Goodies galore!

 

The giveaway will run until midnight GMT on Sunday 27th January 2019 and I’ll announce the winners shortly afterwards. (This offer is open to anyone living in any country, but if someone outside the UK does win, a contribution toward postage would be appreciated.)

Whatever your plans for the year ahead I wish you a very happy, healthy and creative 2019!

 

The Rise and Rise of Renaissance Woman

A year or two ago I went to an event at the excellent Five Leaves Bookshop and got chatting to one of my fellow attendees who set something alight in my head. I don’t remember the context – just that this person mentioned ‘Renaissance Man’ or ‘Renaissance Woman’ and I thought Aha! This is of interest…

My brain filed it away under ‘inspirational bits and bobs’ and then forgot all about it. Then, a week ago I was talking to my daughter about school. And how it seemed like there was always some kid who was brilliant at science and some kid who was brilliant at art and some kid who was a maths whizz and some kid who could run the cross-country race in, like, two seconds flat. Yet my daughter bemoaned the fact that she wasn’t brilliant at any one thing. She was merely all right at most things. I tried my best to listen and empathise. For I, too, was the kid who was all right at most things. If I studied really hard and put in the effort I could even be good. Good enough to have the option to study either the humanities (I was particularly fond of English) or the sciences. But brilliance in one subject always evaded me.

 

 

Then I remembered Renaissance Woman, and sought out a dictionary definition. Basically, it is the term for a woman who is a polymath i.e. a multi-talented woman who excels in a number of different areas. (Leonardo da Vinci was the quintessential Renaissance Man, Queen Elizabeth I the Renaissance Woman.) But nowadays, polymaths seem to be a rarity. (Well, Stephen Fry immediately pops into my head as being a modern-day polymath but who else…?) Perhaps they seem to be a rarity because we don’t grant them polymath status until they are famous in at least two, if not three, of their endeavours (which often takes decades to achieve). Then I considered many of the creative men and women I know. Sometimes they’re writers, sometimes they’re scientists, or artists, or crafters, or musicians, or designers, or bloggers, or publishers (sometimes all these things), and they’re, all of them, busy plugging away at their many creative endeavours alongside day jobs or part-time jobs or freelance jobs, or running the household and looking after their families, as well as taking part in a sport and community clubs/charities. What of these talented individuals? Surely they qualify for polymaths status?

Again, I would suggest, that polymath status is only conferred when a certain level of success/fame is achieved. And until then we might label them with the rather less charitable status of ‘Jack of all trades, master of none’. I can see the distinction, particularly when someone repeatedly dabbles in one area only to give it up shortly afterwards to dabble in another area. But what does an emerging polymath look like? Mightn’t they look like the curious child who is all right at most things? Or the imaginative twenty-something who likes to do lots of things but can’t make up their mind which one thing to do? Or the older man or woman who is finally making some progress in their various creative endeavours after years of continual effort?

Of course, if one day I had enough of a body of high quality creative work to have critics look upon it and say, Aha, the work of a Renaissance Woman! that would be wonderful, but it’s really not the be-all-and-end-all. Because through the years I’ve spent working on my various creative projects the one incredibly important thing I’ve learnt is that this kind of multi-endeavour work is slow. Incredibly slow. Tediously slow. Because you continuously need to practise in each area every day. You don’t focus on just the one thing over and over, you pull each project along, making only a tiny amount of progress each day. Sometimes it feels like a painfully stupid way of working (particularly when financial remuneration for the work is negligible), but that’s why you have to love the work, love doing the work. Because the work itself is the reward. And occasionally you’ll feel that yes, you’re getter better at the work, you’re making progress. And that feeling is incredibly good.

So, to all the emerging polymaths out there, some encouragement: keep going, keep doing your thing. Continue to be curious about the world, continue to feed your vast, expansive and technicoloured imaginations. Just keep going. There are many of us out there who can’t wait to see what you’ll create next.

Goodbye Summer, Hello Autumn

Like ice-cream, every summer holiday has its own particular “flavour”. Now that both my children have returned to school and I’m back from doing the morning school run I’m reflecting on the flavour of the six weeks that have just now passed.

There’s been a lot of sweetness and fun, particularly when on the odd occasion (they do happen!) that both my children have got on well and simply got on and played imaginative games. With the upcoming Queen biopic, Bohemian Rhapsody, which I’m excited about, we’ve been listening to Queen a lot, so impromptu rock concerts have been the thing… Oh, and we discovered that the lyrics to ‘We Are The Champions’ are very flexible and can be rewritten to suit any and every occasion… cue youngest belting out “We want our doughnuts, my friends”. You get the picture.

There’s been work too, as I made sure that both my children did their daily ‘mummy school’. (Basically, each summer they get to set their own timetable – which they love doing – and then I help them with my own version of schoolwork. It ensures that they haven’t completely forgotten their maths or English basics so that they feel more confident about their lessons when they do return to school.)

 

Dirty Bertie 'Rats'

 

The Dirty Bertie series of books have been the books of the holidays. I think we’ve almost exhausted them all, but we’re still keeping our eyes open for more in the series at the library.

It’s been hot. Ice-cream meltingly-hot. Well, apart from the one week we went to Wales when hot was suddenly unfashionable…

Coffee shop stop-offs (to help keep me caffeinated and semi-alert), trips to the park, float fun sessions at the swimming pool, as well as visiting charity shops to buy cheap DVDs for various movie nights have also been regular, welcome features. And cat Top Trumps and doodling games have kept us busy when we’ve been off the screen (we all love playing Minecraft and watching YouTube).

There have been some worries though too. Mostly about what the new year at school would be like (my eldest making the move up to secondary school). Cue lots of empathy from me and her dad, but also lots of reassurance. And chats about how life is a lot about accepting change, but also how change can bring about new growth.

Thankfully, my daughter’s first day at school (yesterday) seemed to go well, so I’m keeping my fingers crossed that “big” school will continue to be a positive experience.

 

Coloured pencils, photo by Marija Smits

 

Obviously, the autumn days will bring us more cool weather and shorter days, and although I always bemoan the fading of the light, I am feeling excited about the season ahead. I have lots to keep me busy: my publishing work, my new Book Stewards blog, as well as a whole bunch of writing projects to be getting on with (mostly to do with science fiction and fantasy). Also, I have plenty of new books I’m aching to read and I have a desire to get out my colouring pencils again…

Wishing you all the best for your new season start!

Finding Your Style

Creatives, particularly those newer to their craft, sometimes despair that there’s nothing truly original left to create – that it’s all been done, or said, before. Usually, they are swiftly reassured by a more experienced writer/artist/crafter etc. that although it has all been done before, it hasn’t been done by them, with their own unique style.

Ah ha, ponders the earnest creative. I like that! My style. MY style. MY STYLE.

But, oh heck. What is my style? Do I even have a style? Do I have to go looking? And when will I find it?!

The good thing is, right from the word go, you have a style. You don’t think about your ‘style’ when talking to someone. You just talk to them in your own voice and use the words that instantly come to your mouth. Just like when you pick up a pencil and begin to write, or doodle. There it is. There’s your style. It’s evident in your handwriting, there in the shapes and patterns that automatically form beneath your pen.

 

It_takes_courage_quote_e_e_cummings

My handwriting. It’s very me.

 

But here’s the problem. We *whisper it* sometimes don’t like our own style. Now, that’s not too problematic, at first, as long as we’re still brave enough and passionate enough to keep learning and practising our craft and trying out different things. And a good deal of practise, particularly in the early stages of an apprenticeship, involves copying the greats. Through reading, writers learn about the style of other writers. It subconsciously seeps into the self and sometimes comes out in our writing. And artists, through viewing other artists’ works, are often inspired to paint/craft/sculpt in that particular artist’s style. Now, there’s nothing wrong with this. It’s an important first step in a creative person’s apprenticeship. However, once it tips over from well-meant copy-as-practise into plagiarism or forgery, well, a line has very obviously been crossed.

As you work your way through your apprenticeship, your own style will most definitely emerge and make itself known to you. You will start to spot things about your own work. Certain similarities, certain motifs, certain ticks. Like how a lot of your poems are about unspoken love, or nature, or grief. Or how you’re always painting butterflies, or cats. (Cats are good. I even like drawing their bottoms.)

 

Into the Woods by Marija Smits

This print is available to buy in my Etsy store, you know…

 

Sometimes, you may receive feedback about your work which tells you something important about your style. I write science fiction short stories and I’ve had reviewers compare my stories to those of Philip K. Dick and Stanislaw Lem (most likely because of the subject matter, not my literary greatness, I hasten to add). Of my prize-winning story ‘His Birth’, the judge Adam Roberts said: “This is written with a plainness and restraint that helps to magnify its (deliberately) grotesque central conceit… The whole story is neatly constructed…”. And one reviewer said of my story ‘The Death of the Grapevine’ (published in Café Stories) that it was written in “brisk controlled language”.

Now, at first, this bemused me, because in my head my prose is lyrical and complex and full of literary loveliness. But you know what, they’re right. On re-reading my stories, yes, I am brisk and controlled. But I somehow rebel against this, because it seems… not literary enough? Not good enough?

Ah well, I can’t do much about it. Because, you see, here’s the thing. It’s my style. And it’s better to embrace it than to fight it.

As with my art. Oh, how I’d love to be able to create grand hyper-realistic paintings in acrylics, or stunning colour-rich abstracts. But you know what, I’ve realized something recently. Something that I’ve known for most of my life, in fact. I like neatness. I like the neatness and control that a fine liner pen gives me. However, I also love the freedom, the sheer lack-of-control nature of free-flowing watercolour paint. I began to put the two together recently, and you know what, I kind of liked what I made. So, who knows, maybe that’s my style too.

 

Zen fox by Marija Smits

Zen fox by Marija Smits

 

The fun is in the finding. The skill is in the honing.

What’s your style?

An Update on an Old Intention (aka How Ideas Mutate and Grow)

 

The Moon's Sorrowful Face, by Marija Smits

Reaching for the moon? (Art: The Moon’s Sorrowful Face, by Marija Smits)

 

In October 2016 I did something unusual: I posted an ‘Intention’ (note the capital I) on my blog. The Intention was to put together a book – a collection of short stories in the SFF genre with the final aim of getting it published.

At the time of declaring my Intention I knew I was a long way off completing the book because I didn’t have enough  superb short stories to go in it, but I thought that it may take me (the reasonable time of) a year or so to finish it. Um, I was wrong…! For a start, I thought the collection would contain fantasy and science fiction stories, but a discussion with some friends on Facebook led me to the conclusion that keeping those two related, though very different, genres separate would be best. I do know of some writers – who are absolutely at the top of their game and winning awards for their writing – who mix and match genres in their collections, but I’m not (currently) one of those writers. Besides, the more I thought about it, the more the genre separation idea appealed.

So I started off down a new route: one which involved writing and collating more sci-fi stories. And having had a little publishing success in that area, it confirmed to me that I was doing the right thing by concentrating on that one genre for the time being.

So far so good. The body of work was growing. And buoyed by the lovely members of my crit group (as well as my husband’s ever-constant encouragement) I felt that things were progressing. But then, at the start of this year, I saw that one of my favourite indie presses – Unsung Stories – had an open submissions window. They were on the lookout for novels or interlinked short story collections. Now, my novel (or possibly novella) was/is way off being finished, but my sci-fi collection… it was almost ready. But it wasn’t interlinked. And I had never meant it to be linked/interlinked. But it could be linked because there were so many similar themes…  I knew I’d never make the deadline, but the ‘linked collection’ idea didn’t go away. If anything, it has taken on new life and grown in my head – to the point where I now need to add lots more stories to the book because it has become this vast, sprawling, very weird thing indeed. (A little like Cloud Atlas, perhaps?!)

So that’s where I am. I now have a novel-cum-linked short story collection in my head, which is only partially written. I will roll with that for the time being and see where it takes me… So my only intention now is TO FINISH IT!*

 

*Watch this space/wish me luck!

Imagination, Inspiration, and Ursula Le Guin

01 2018 Ursula Le Guin books, photo by Marija Smits

 

Since my husband is a scientist and I’m an ex-scientist, we both love science fiction (reading and writing it). We often discuss science fiction and enjoy having a good old rant, or rave, about the plausibility of the science within the stories. When I’m reviewing science fiction for Shoreline of Infinity I very much consider the book from a scientist’s viewpoint, and am strict about the plausibility of the science. (Though this occasionally gives me the wobbles – the tame woman in me not wanting to be disliked for saying something not 100% pleasing to the masses. My wild woman sighs and roars off the tameness that has a habit of clinging on.) Just the other week my husband, wanting to give me some encouragement, emailed me two of Ursula Le Guin’s articles – about plausibility in imaginative fiction and literary snobbery and, once again, I was eminently comforted by the fact that such a great writer continued to be such a passionate champion for the SFF genre (as well as a champion for the importance of plausibility in the genre).

So when social media became awash with the news of her death, I, like many, was saddened by the news. People were sharing her poetry, snippets of her writing; what her books had meant to them. These quotes stood out for me:

 

Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality…

…Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

Ursula Le Guin from her speech at the National Book Awards

 

To make something well is to give yourself to it, to seek wholeness, to follow spirit. To learn to make something well can take your whole life. It’s worth it. Ursula Le Guin from Steering the Craft

 

I don’t have anything particularly insightful to add to what others have said (indeed, I questioned whether I should even write this blog post), but I had an urge to say something. To write something. For as a woman who writes science fiction, who passionately believes in the genre and the importance of plausibility within the genre, and who wholeheartedly believes that the act of creating something requires a “surrendering”, I wanted to say ‘Farewell’ and ‘Thank you’ to Le Guin. She will continue to inspire me and countless others.

Reflections on a Decade of Mothering

As we near the end of the year I can’t help but look back. 2017 was a big ‘mothering year’ for me as my firstborn, my daughter, turned 10. A big milestone – for her, for me. It’s taken me a while to process this! So I wanted to share my reflections, but to sort them into two sections – a serious part, and a less serious part. Feel free to read one or the other, or both. 🙂

The new bike, photo by Marija Smits

The new bike, photo by Marija Smits

 

Reflections Part 1 (The Serious Part)

 

1. Strength

When my daughter (who is a highly sensitive person [HSP] like me) is worried about something – some upcoming event, some friendship issue – I always tell her that she is strong; that she can get through it and cope. She always disagrees, saying something like, ‘But I don’t feel strong!’

I do find it difficult to articulate how we all have this inner strength (especially when externally we don’t seem “strong” – physically, or even socially) but I show her the evidence – reminding her of times in the past when she got through difficult or stressful events. That seems to help (a bit). But this reflecting on her past also reminds me that my decade of mothering has helped me to tap into my inner strength. As a quiet, highly sensitive person, I often feel weak and wobbly – not strong at all – and then I remind myself: hey, you gave birth! That wasn’t “nothing”. And don’t forget the fights you fought on behalf of your baby girl and yourself: to continue to breastfeed when nearly everyone thought you were “cuckoo”: to continue to co-sleep and keep close to your girl for years and years… And the “fights” continue although, of course, they are different, centering mainly on school/academic issues, friendship and social issues. I don’t welcome the fights, but at least I can tell myself this: you are strong. You can handle this.

 

2. Empathy

When times have been acutely tough I’ve had to remind myself: hey, you’re the grown-up here. Deep breaths, tapping into the inner strength that I mentioned earlier, and digging deep for the empathy that’s always there but may have vanished temporarily for any number of reasons – sleep deprivation, hunger, lack of time to oneself – have absolutely turned a high-stress situation around. Humour, too, can be an amazing way to alleviate (or at least pause) a fraught situation. And this ‘honing’ of empathy has benefitted me in all areas of my life.

 

3. Compassionate Communication

For me, one of the biggest benefits of becoming a mother has been the discovery of my tribe (a group of like-minded mothers). I found my tribe when I went to La Leche League GB breastfeeding support meetings. And then I went on to become a voluntary breastfeeding counsellor. Part of the training to become a counsellor involved me learning about compassionate communication. Oh my goodness! Learning about this stuff was absolutely eye-opening; it really has made me aware of all the barriers to clear communication, and how to shift those barriers, and to also find the middle ground between passive and aggressive ways of communicating (it’s called asserting). For an HSP who finds it difficult to speak up and out it really has been a godsend. Check out my thoughts in the ‘life-changing books’ section of the blog if you want to know more.

 

4. Trusting your Instinct/Learning to Let Go

Gosh, this one’s tough! Again, part of maturity, to becoming a ‘whole’ individual – a true wild woman – is knowing when to let go. Accepting that your children have to grow, step away from you, fight their own fights, and make their own way in life is tough. This can feel absolutely heartbreaking, but it’s also necessary. The key is to listen to one’s own inner voice – a mother’s instincts have been well honed over time (we’re talking millennia here) – so we instinctively know when our child is, or isn’t, ready for taking on a new challenge. The trick is to listen to that voice and to be true to it (which can be especially hard when lots of other people have loud opinions that contradict yours).

 

My girl and me, photo courtesy T. Bellamy

Toddling days, photo courtesy T. Bellamy

 

5. Acceptance

Some parents have very specific ideas of who their children should be. They may have laid out whole career/life paths for them. It’s understandable to make plans and have dreams like these, but the reality of who our children really are often ‘upset’ these plans. That’s when a flexibility of outlook, open-mindedness, and non-judgement all come into their own. Our child may not be the genius academic/Olympic medal-winning gymnast/maths wizz that we wanted/expected them to be. What then? Accepting our children for who they are, just as they are, and supporting them in their own life choices is one of the greatest gifts we can give them.

 

6. Self-care

In the early years children’s needs – to be fed, to be held, to be close – are frequent and intense. This is natural. But meeting those needs (particularly without support from extended family/friends) can be tough, just because of the intensity and frequency of the needs. Asking for help can be difficult but often essential. When I was in the thick of cluster feeding, frequent night waking and round-the-clock nappy changing it felt as though this stage in my life would never pass. But of course it does. I now focus far more on meeting my needs. Like my need for exercise, eating healthy food, time for creativity, time with my husband. I remind myself that all these things are about investing in my children too. I want to stay as healthy (in mind and body) for as long as possible so that I can enjoy watching my children grow into adults; and maybe go on to have children of their own.

 

7. Boundaries

Another tough one; particularly as it’s something that I find hard in my day-to-day life too. Boundaries are about setting sensible limits for the kids (for instance, on things like screen time, eating junk food/sweets) as well as the precious ring-fencing of family time, sleep time etc. but of course this principle extends to other things – like when friends/family/colleagues impose themselves upon you and try to move past the boundaries you’ve made that keep you comfortable, safe, happy. That’s when saying things like, ‘no’, ‘enough’ or asserting in a diplomatic way (things that doesn’t always come easily to me) is ever so valuable. This takes practice, but it can be done, and will make your life better because YOU are the one in control. Sometimes saying ‘no’ to a social event/volunteering gig/work thing (so that you, the parent, have some precious time to yourself), or saying ‘no’ to your child when they whine for sweets is actually the most loving thing that you can do for yourself or your child. But it’s tough to do. And you’ll often have to deal with the immediate (and possibly) spiky consequences, but in the long term it will pay off.

 

8. Love

There’s nothing quite like going through the intensity of parenting to make you look at your partner with fresh eyes. To see their strength, their empathy, their fierce love is really quite something. I will always be grateful for having my husband alongside me in those intense years of parenting our babies. And I am glad to continue to have him alongside me as we venture into the future, the challenges of parenting not as intense perhaps, but still just as challenging, because of their complexity. Plus, I just happen to really really love him.

 

Walnut hearts, photo by Marija Smits

 

Reflections Part 2 (The Less Serious Part)

 

1. Baby Wipes

If I hadn’t become a mother I may never have discovered baby wipes. Seriously, they are amazing. Everything can be cleaned with baby wipes – dirty bottoms, dirty faces, the oven, the floor, kitchen surfaces, car upholstery, even the cat! Everything. Genius. (Oh, and for very tough-to-remove carpet stains I can recommend Mr Muscle oven cleaner.)

 

2. Playground Frolics

Children give you a good reason to have a sneaky go on the swings, or roundabout, or see-saw, or whatever. (You know, so that you can check that the equipment’s safe and fun.) Just don’t get too carried away. A toddler crying because mummy won’t share is not cool.

 

3. The Perfect Excuse to…

not go shopping, or out, ever again. (Introverted HSPs who could happily stay at home 24/7 will understand what I’m talking about.) Also, the perfect excuse for being late. Like every single time.

 

4. Computer Games

I often justify playing Minecraft by myself because my son asked me to ‘do a little something’ in our world. So what if the ‘little something’ turns into a whole afternoon mining (or killing zombies)? God dammit, sometimes you’ve just gotta do what you gotta do to help your kids out.

 

5. Getting into Art/Building Humility

Okay, this one’s a tiny bit more serious, but there’s really nothing like doodling alongside your kids, having fun with colouring pencils/felt tip pens/paint and allowing yourself the opportunity to create crap (or otherwise) pictures. Who knows, you may grow a whole new career out of it, just like my talented friend Doodlemum did – or, like me, you could just be very pleased to have created something you wouldn’t ever have dreamed of creating a decade ago.

And as an aside, it was just the other day I realized that whenever I draw an idealized version of myself (see below) what I’m actually doing is drawing a picture of my daughter in the future. Seeing myself more as the background, as opposed to the foreground, is a humbling (and useful) experience.

 

At the swimming pool, by Marija Smits

At the swimming pool, by Marija Smits

 

A realization, by Marija Smits

A realization, by Marija Smits

 

6. Cake

The past decade has seen me ingest a huge amount of cake. You see, there’s always so much of it about (at toddler groups, mums’ meet-ups and breastfeeding support groups, as well as school which regularly holds fundraising events where baking and cake stalls are a feature). But I’ve done my duty manfully (or, rather, womanfully…?) and eaten ALL THE CAKE in aid of many a good cause.

 

7. Time Pressure

Seriously, there’s nothing like becoming a parent for having the realization that time is precious. Before I became a mum I had oodles of time – huge bin-bag sized heaps of time (which I filled appropriately i.e. with junk). Pre-motherhood I used to talk about how busy I was to write because I had work and house stuff to do, oh, and watching telly and socializing and faffing about. Then I became a mother and realized that, actually, this is what ‘no time’ looks like. Round the clock care for a tiny human being hugely contracted my available time to create. But… what’s amazing about motherhood is the sheer ingenuity of mothers who magic time out of the day to create. It might just be a scrawled five lines of poetry while your toddler happily plays with blocks (though realistically we all know they’re more likely to be pulling off books from bookshelves/busy flushing your phone down the loo/ingesting cat food or Geomag balls etc. etc.) but that poetry making is precious. And worthwhile. If you keep at it, you’ll soon build a collection. And even watching CBeebies can help to motivate you to become a poet/poetess. If Abney from Abney and Teal can do it, so can you.

p.s. I am not endorsing letting your toddler ingest cat food or Geomag balls. Both have scant nutritional value, and as someone who’s spent a worried 18 hours from the said ingestion of a Geomag ball to its evacuation (and subsequent rifling around in poo to recapture the damn thing) it’s really not worth it. But judging by this thread on Mumsnet I am not the only mum who has had this experience!

 

8. Christmas

Ah, this one’s bittersweet. For me, Christmas was never quite the same since my dad passed away (I was fifteen when he died). But now Christmas is something I look forward to again. It’s just so wonderful to see the grins on the faces of both kids as they wake up on Christmas Day, sleepily muttering, ‘It’s Christmas!’ And luckily, Father Christmas happens to be rather good at packing my stocking with lovely goodies too.

***

And lastly…

…a THANK YOU to all the kind readers of my blog who continue to pop along, read, share and comment on my eclectic posts. Wishing you all a very Starry-You Happy Christmas and all the best for 2018!

 

Starry-You by Marija Smits

Starry-You, by Marija Smits