What I did at 40

Recently on social media, people were spreading a little positivity by sharing some of the things they’ve done in their 40s of which they’re proud. I didn’t take part at the time although I wanted to because a) I’m too slow on the uptake and b) the contrarian in me doesn’t like to rush along doing whatever everyone else is doing at that particular moment. But on reflection I thought it a lovely – and inspiring – thing to do (my writer-publisher friend Tracey Scott-Townsend has published a fascinating series of ‘What I did at 50’ posts on her blog and she’s had a brilliant response to that).

Anyway, as I was contemplating the necessity of updating my writing publications page on this blog I realized that there were several things I’d done since I turned 40 of which I was proud. And what struck me about them was that about two decades ago I wouldn’t have imagined myself doing or achieving any of those things.

Although I’d always envisaged marriage and children being a part of my life I never really had a clear vision of what I’d be doing in my 40s (back then 40 seemed like a lifetime away and well, just a bit decrepit, yeah?!). I thought that going down the science path would be the best thing to do because of my keen interest in the subject, and I have (in general) always thought science to be a powerful tool that could be wielded for good, in terms of society and the environment. Also, jobs in science seemed plentiful.

But, at 28 I discovered that the career part of the science career wasn’t really for me. However, I made a new discovery – that I had an aptitude for teaching (others as well as myself) and I had a desire to write (I’d always been writing poetry on and off, but I began my first novel at age 28). So I taught science instead. Then marriage and children followed soon after, and a much greater appreciation for what it takes to be a mum, raise children and run a household. I stopped teaching before my eldest daughter was born. But throughout those tumultuous early months – and years – I kept writing in snatched moments. The end result of that newfound appreciation of breastfeeding, mothering, and writing was my small press Mother’s Milk Books. So that, I suppose, has to be the first of the things I’d never expected myself to do.

 

Running an indie press

This September Mother’s Milk Books will be eight years old. I still feel as much enthusiasm about producing new books and publishing authors now as I did at the start of the journey (though I must admit the admin side of things seems to have exponentially increased – and admin really isn’t my favourite!). The extra bonus of running the press is that I’ve learnt so much about writing and the publishing industry – and how to get a foot in the door – that I now teach others on this subject (through workshops etc.). I’ve mentored and supported a number of up-and-coming writers and poets and I love seeing them grow and improve in their writing.

Teika at Waterstones

At a recent ‘How to Get Published’ workshop I ran for Writing East MIdlands.

 

Blogging with my husband about all things publishing/writing

I always thought that working with my husband would be fantastic, but it hasn’t been until recently that we’ve put two of our interests together – my interest in making the workings of the publishing world more transparent and his interest in the neuroscience and psychology of motivation, procrastination and productivity – and created a website called The Book Stewards. So if you’re a writer who’d appreciate some insider information – into the publishing world, and the workings of their brain, do check it out!

 

Getting up early to write

Goodness me, I never thought I’d be the kind of person who’d harp on about the wonders of getting up early and writing, but this year I finally got round to sticking to a new work schedule which involved getting up at around 6.30 a.m. and writing for about 45 minutes before getting breakfast ready for everyone. I CANNOT say that I jump out of bed eagerly, going Wahoo! but, still, I do drag myself out of bed and, bleary-eyed, get some words down on the page. The toughest thing about it is probably having to drag myself away from the laptop to make breakfast when I’m in writing ‘flow’. The two nicest things about this is: 1) how comfortably silent the house is and 2) the cat joining me and curling up beside me.

 

Weightlifting

When my husband first got into weightlifting a few years ago I wasn’t impressed by the sheer volume a set of weights and dumbbells takes up, but then I learnt about the whole HIIT (high intensity and interval training) from Joe Wicks, of which weights is a part, and it appealed to me because 1) as a way to lose weight and tone up, scientifically speaking it makes sense and 2) I’ve always had the build of a somewhat – ahem – cushioned, Amazon warrior so why not play to that? Also, being able to lift something that looks ridiculously heavy is weirdly pleasing.

 

Jogging

There was a period in my mid-twenties when jogging was one of my weekly exercises, but, sadly, a dodgy knee brought that to an end (most likely due to my hypermobility). I genuinely thought I’d never run again. At the start of this year a neighbour-friend of mine was doing the Couch-to-5K programme and asked if I wanted to take part. My first reaction was that of horror. I couldn’t run! My dodgy knee! My wobbly belly! My complete lack of running finesse! Anyway, to cut a long story short, six months on I’m still running for 30 minutes twice a week and it’s simply become a thing I do. I still worry about the dodgy knee (from time to time it gives me warning twinges), and every time I set off I think that what I’m about to do is utter madness, but somehow I get through the madness and the twinges and get to the end of the 30 minute jog, very proud of myself.

Teika after jogging

Marbled leggings and a 25-year-old Cure t-shirt is THE thing to be wearing while jogging.

 

 

Having a story in the Best of British Science Fiction 2018

Although I have a background in science I’m relatively new to writing science fiction (about three or four years). To tell the truth, I feel as though I’m somewhat an imposter in this field because I didn’t spend my childhood reading all the scifi classics and Golden Era novels (though I did watch a lot of science fiction on the screen – Doctor Who, Star Trek, Star Wars, Bladerunner and Inner Space immediately spring to mind etc.).

 

 

But I guess all that TV/movie watching paid off because I’ve now had several short stories published by scifi magazines and even managed to have one of those stories picked up for the Best of British Science Fiction 2018, (now available for pre-order), which delights me no end. In the meantime I’m catching up with my scifi reading and loving it! Of course I’m continuing to get a frequent number of rejections, but my son’s words of encouragement mean everything to me and keep me going during the nth rejection of the month.

 

‘The Future of Science Fiction’ – a story by my son in which I have the starring role!

 

Making art

Technically, I began my attempt to make art a few years before hitting 40, but I feel much more like I’m hitting my stride when it comes to art now. (Although I’m not entirely sure that what I am creating could actually be classified as art – Grayson Perry’s book about what art is or isn’t, Playing to the Gallery, definitely made me reconsider my own work.) BUT I am having immense fun drawing, painting, doodling, papercutting, art glass making and inking, and it’s my go-to activity if I need to slow down and get my head straight. And really, art or not art, it’s the joy of the process that matters.

 

 

Actually, that can be applied to all the above. They’re not about the destination, but the journey.

Imagination, Inspiration, and Ursula Le Guin

01 2018 Ursula Le Guin books, photo by Marija Smits

 

Since my husband is a scientist and I’m an ex-scientist, we both love science fiction (reading and writing it). We often discuss science fiction and enjoy having a good old rant, or rave, about the plausibility of the science within the stories. When I’m reviewing science fiction for Shoreline of Infinity I very much consider the book from a scientist’s viewpoint, and am strict about the plausibility of the science. (Though this occasionally gives me the wobbles – the tame woman in me not wanting to be disliked for saying something not 100% pleasing to the masses. My wild woman sighs and roars off the tameness that has a habit of clinging on.) Just the other week my husband, wanting to give me some encouragement, emailed me two of Ursula Le Guin’s articles – about plausibility in imaginative fiction and literary snobbery and, once again, I was eminently comforted by the fact that such a great writer continued to be such a passionate champion for the SFF genre (as well as a champion for the importance of plausibility in the genre).

So when social media became awash with the news of her death, I, like many, was saddened by the news. People were sharing her poetry, snippets of her writing; what her books had meant to them. These quotes stood out for me:

 

Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality…

…Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

Ursula Le Guin from her speech at the National Book Awards

 

To make something well is to give yourself to it, to seek wholeness, to follow spirit. To learn to make something well can take your whole life. It’s worth it. Ursula Le Guin from Steering the Craft

 

I don’t have anything particularly insightful to add to what others have said (indeed, I questioned whether I should even write this blog post), but I had an urge to say something. To write something. For as a woman who writes science fiction, who passionately believes in the genre and the importance of plausibility within the genre, and who wholeheartedly believes that the act of creating something requires a “surrendering”, I wanted to say ‘Farewell’ and ‘Thank you’ to Le Guin. She will continue to inspire me and countless others.

On Boundaries & Being a Minecraft Mum

 

Last year, when I finally got to bed on Christmas Eve I had the sudden realization that we had come to the end of an era. You see, waiting under the tree there was a certain present for our children. The certain present had lots of circuits, a screen and a keyboard. And my husband was going to put Minecraft on it. I just knew that from Christmas Day onwards everything would change…

 

Minecraft books, photo by Marija Smits

I’ve read all these books cover to cover. At least 10 times. (Photo, by Marija Smits.)

 

My husband and I had thought long and hard about this gift. For one thing, it was essential to get the kids off my laptop which was full of work stuff. Also, my eldest daughter was being asked to do more and more computer-based homework. Third… well, Minecraft. Although I knew very little about it I could already see the appeal. As a sandbox game it allows you to be creative and build all sorts, but there are also certain challenges/achievements to complete, as well as the chance to play in multiplayer mode with other people. This was going to blow our minds!

 

Creeper, by Marija Smits

A creeper. Not mind-blowing but he does blow stuff up.

 

Four months down the line I can confirm that the Minecraft era is all that I expected it to be: 1) a lot of fun 2) highly creative 3) an educational experience – it’s been a steep learning curve but now myself and my children pretty much know everything there is to know about Minecraft: mining, crafting, mobs, fighting, farming, building, enchanting, potion-making, the Nether, the End. (There’s even some poetry in it! And a creepypasta in the form of the elusive Herobrine.) YouTubers I knew nothing about in the pre-Minecraft era are now household names: Mr Stampy Cat, iBallisticSquid, AmyLee. Stampy’s ‘hic-hic’ laugh is oft-mimicked.

These first 3 expectations are positive. So far, so good. Yet the fourth is not, for it is this: addictive.

So this is where the ‘boundaries’ bit comes in. It would seem that some people have a pre-disposition to addiction – in that they have a more sensitive reward system in place, and this, most likely coupled with a diminished ‘pause-to-check’ instinct, means that they are more vulnerable to addiction. And perhaps more likely to be risk-takers.

Addiction, as a topic, fascinates me, so it’s no wonder that addiction as a theme reoccurs in my short stories (one of these stories is to be published in a litmag this summer. Yay!). But it only feels like something I can view more dispassionately now, since I feel I have a better sense of my own addictive tendencies. (Though in the past [soft] substance addictions were an issue, my addictions are now internal rather than external. I know that I am only ever a few wobbly and perilously short steps away from OCD thoughts – which in the past have stolen hours, days, weeks, months from my life. And person addiction – aka limerence – is the other.) Also, having lived with a gambler for several years and had friends with alcoholic parents (as well as the requisite uni pals most definitely [and yet not] in control of their own chemical addictions) I feel as though I’ve got a bit of a handle on the issue. And TV programmes, branded with trashy titles such as: Help! I’m addicted to sex! (or food or social media or feet or whatever) actually make for an insightful (and fascinating) watch.

Anyway, back to boundaries. Obviously, computer games can be addictive. And I’ve noticed that my son finds it far more difficult to come away from the screen than my daughter. When it’s time to stop he complains and wheedles for just another 5 minutes. I do my best to always give him at least a 10 minute countdown, but still, it can be hard for him to stop. I can empathise. I have memories of playing Tetris over and over in a darkened room while outside the sun shone, and finding it very hard to detach from the screen. (And apparently, my husband, too, was a keen computer gamer in his youth.)

Still… empathy is good. It helps my son to know that I’m on his side. But also, boundaries are good. However, when I’m setting and enforcing boundaries, I always feel as though I’m being a big bad baddie. (Something that I think many women find tricky – saying ‘no’ and ‘enough’.) But I have to remind myself that boundaries are good. I’m actually a goody for imposing boundaries, because boundaries help us to cultivate personal integrity, and create wholeness, and also, they are necessary for healthy relationships: with ourselves, with each other and with our environment. They make for a healthy society.

Many adults already know what their boundaries are. For some it means zero alcohol. For others it means a certain limit on coffee. For those in a committed relationship it means a blanket ban on ‘friending’ exes or past lovers on Facebook. For children who love screen time it can mean making sure that there are time restrictions in place. (We also don’t have phones or screens in our bedrooms – I’m trying to ensure that bedroom = rest in their minds. I’ve also found that making sure that screens are off at least 2 hours before they go to bed is a big help with their sleep and temperament.)

Anyway, so far, Minecraft has been a positive in our life, but as usual, observing, reflecting and setting (and enforcing) boundaries on a day-to-day basis are paramount for something that has, like so many other apparently innocent things, the potential to become addictive.

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Women in Science

As we’re currently in British Science Week (10 – 19th March), I thought it the perfect opportunity to write about something close to my heart: women in science.

Teika Marija Smits in the lab, photo courtesy Lankani Hettigoda

Teika Marija Smits in the lab, photo courtesy Lankani Hettigoda

Now, I used to be a woman in science, but then I left for all sorts of reasons, which I outlined in an earlier post. To clarify, it was not the science that was the issue, rather, a male-dominated environment (and the competitiveness, extrovertism and ‘blokey’ jokes that was a huge part of that environment). It was also a time when work email somehow allowed people (okay, let’s admit it – they were men!) to send pornographic images. At one university I worked at I walked past the odd computer screen seeing some things I’d much rather not have seen. This experience didn’t make me (one of about 5 women in a group with 20 men or so) feel so great about myself.

In addition, looking up the hierarchy, I could see that the female lecturers and researchers were clearly juggling so much – their careers and motherhood and trying to run a household, and, and… and still the male lecturers would make comments about the women ‘not pulling their weight’.

In conclusion: I did not love scientific research enough to continue in that career. And that is okay. I am glad I realized this sooner rather than later.

However, I am immensely thankful for the women who do love research and overcome all kinds of obstacles to pursue their research and excel in their specialism. But why is it that at the age of 40 (and even as an ex-scientist) I still find it difficult to name the contributions women have made to science? Once again, and as in so many fields of endeavour, women’s achievements in science have been overlooked, sidelined, ignored. Or been appropriated by men. In general, women scientists have been put on ‘mute’.

So when I came across this image on Facebook on International Women’s Day – from the excellent Compound Interest page – I was delighted to discover more women scientists. (Chemists, like me!)

 

And when I went to my local library the other day they had a wonderful display full of cards with inventions and discoveries by scientific women on them. Such as:

Stem cell research – Ann Tsukamoto

Kevlar – invented by Stephanie Kwolek

Semi-conductor theory/telecommunications research – Shirley Ann Jackson

The life raft – Maria Beasley

Computing – Grace Hopper

Solar-energy technology – Maria Telkes

This display was for International Women’s Day (or to call it by its other name – ‘Why Isn’t There An International Men’s Day’?). Sad but true, every year outraged men take to Twitter to wonder aloud Why oh why isn’t there a special day for men? Richard Herring, bless his heart, answers many, many of them to let them know that yes, there is an International Men’s Day. It’s on 19th November. He also encourages his followers/those interested in his cause to educate the incredulous to donate money to the charity Refuge).

And another good resource for women scientists I came across recently is Sheroes of History.

Having been a teacher (and now a parent) for a fair while now, I’m pretty sure that girls and young women have got the message that science is something that both sexes can excel at. But it cannot be overlooked that academia is very much an environment for the privileged white middle-class male. That’s not to say that boys and young men shouldn’t be encouraged to study science – they should be, it’s brilliant! It’s just that schools, universities and scientific companies need to look at their environment through the feminist (as well as racist) lens. How can we make academia more accessible to women? How can we keep mother scientists still involved in research if they don’t want to spend virtually all their waking hours away from their children? How can we get away from the competitiveness that so obviously suits highly-driven testosterone-fuelled men? Indeed, can scientific research be a cooperative endeavour? And why oh why must everything be measured by publication in the ‘big’ journals, Science, Nature et al.? Is this really where all the ‘good’ science is? Just as with poetry, there are the ‘big’ journals/magazines. That does not mean that the smaller literary magazines aren’t publishing just-as-good (if not better) poetry. They are!

Sadly, again, so much of the problems of academia come down to that monster, neoliberalism. Universities are more companies nowadays, the students the ‘customers’ – the power taken from academics and given to the bureaucrats and the private companies they fling money at. The people at the top enjoy six-figure salaries for formulating things like: strategic mission and the academic vision, innovative streamlining, the student-centred approach etc. while the academics (who are irreplaceable, because, let’s face it, how many of us have a good working knowledge of quantum mechanics, or crystallography or neuroplasticity or… or… ?) grind on, trapped between teaching, research and the huge amount of administrative tasks they have to complete. They do not enjoy six-figure salaries. And especially not if they’re women.

However, all that said, there are, of course, exceptions to the rule. There are high-earning women at the top, just as there are high-earning men at the top. Check out this link if you want to know just what the heads of some unis pay themselves. I will add two words here that are appropriate: fat and cat. But as always, there are good stewards at the head of universities, who are perhaps worthy of their salary. And there are bad stewards at the top of many universities too, who are most certainly not worth of their salary. Also, there are women who thrive in a competitive environment. And those who do not. But the lower down the hierarchy you go the more likely you are to find women not negotiating for extra pay, not negotiating for better working conditions for themselves and their families, and not speaking out about inappropriate conduct or unprofessionalism of male colleagues.

I don’t know what the answer to all this is, although I think it’s clear that separating business from academia is key. Commercialism is making science less science-y. And in these post-truth times, scientific rigour, objectivity and the pursuit of truth (no matter if that truth pains us) is absolutely vital. I also think that talking and writing about all the many women scientists of the past and today is also key in helping girls and women to know that science is something that they can really get involved in. And excel at. Lastly, we need to give young women the tools to assert for themselves so that they can make the changes to academia that are so badly needed to free it of capitalism’s grip so that it can become a true place of learning and creative investigation, irrespective of the student or teacher’s sex, skin colour, class or financial background.

 

My daughter's base + acid volcano, photo by Marija Smits

My daughter’s base + acid volcano, photo by Marija Smits (with thanks to Red Ted Art for the YouTube video on how to construct the volcano).

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